Jessica Svartvit
Jessica Svartvit
mirkosata
why aren’t these being reblogged more often?
i rather see these than “keys in hand”Fatality
Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest?
I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)
Step 1: Step back the moment he reaches for you.
Step 2: Duck!
Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.
Step 4: Knee him in the balls.
Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.
Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.
Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.
Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.
reblogging again for that^
Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.
yes
nice
FINISH HIM
BMO stares death in the face
Sir Nicholas Winton is a humanitarian who organized a rescue operation that saved the lives of 669 Jewish Czechoslovakia children from Nazi death camps, and brought them to the safety of Great Britain between the years 1938-1939.
After the war, his efforts remained unknown. But in 1988, Winton’s wife Grete found the scrapbook from 1939 with the complete list of children’s names and photos. Sir Nicholas Winton is sitting in an audience of Jewish Czechoslovakian people who he saved 50 years before.
This post gained more than 100,000 notes in over a day. One of the most powerful things I ever posted.
Hey, this post may contain adult content, so we’ve hidden it from public view.
Faig Ahmed Creates Psychedelic Rugs From Traditional Azerbaijani Textiles
Faig Ahmed’s latest project focuses on making contemporary carpets from classical Azerbaijani textiles. Ahmed graduated from the Azerbaijan State Academy of Fine Art in Baku in 2004. His background as an artist covers painting, video and installation as well as other mediums; however, his attention is currently focused on working with textile and sculpture.
Traditional Azerbaijani carpets rely heavily on geometric and symmetrical patterns, stemming from historical influence. The carpets are usually limited to be rectangular or square in shape. By dismantling the laws that govern the structure and pattern of these fabrics, Ahmed converges his love of ancient culture to create a psychedelic visualization. By refurbishing the traditional compositions into a contemporary sculpture, he disassembles their stable nature and injects motion into a pre-existing lifeless object.
The patterns break away from their rigid symmetry and melt away from the tapestry into a colorful puddle. Ahmed also adds a digital effect to the rugs by pixelating fragments and blank spaces on the drapery. Overall, the artist intentionally creates an interesting union between contemporary art and ancient Azerbaijani roots.
my asthetic
